Forget About Tomorrow

Described on Sunday February 11, 2018 at 2 pm at the Belfry Theatre, 1291 Gladstone Avenue, Victoria | 250-385-6815 | Map

VocalEye users are eligible for a discount. Please call 250-385-6815 for more information.

This performance will be followed by a Touch Tour.

Theatre Buddies are available to guide adult VocalEye members with vision loss, 18 years of age and older, who are travelling on their own. This service is generously provided by members of the Victoria Society for Blind Arts and Culture. Please contact Linda Bartram at 250-595-5888. Deadline to reserve a Buddy is the Friday before the described performance.

Described by Rick Waines


Written by Jill Daum
Directed by Michael Shamata

Can you re-imagine a lifetime together? When Jane’s husband Tom begins having trouble remembering things, she enters a world of denial. The play – at times extremely funny and always deeply moving – is Jane’s long and reluctant journey to accepting her husband’s fate, and the new role that she is expected to play.

Playwright Jill Daum is one of the original creators and performers of Mom’s the Word. Daum’s new work examines the effects of early onset Alzheimer’s on a family and how it changes our relationships with those we love.

The play features two new songs from Jill’s husband, John Mann from Spirit of the West. John was diagnosed with early onset Alzheimer’s in 2014 at the age of 53.

“I began writing this play before my husband John publicly announced he had Alzheimer’s. I was attending a workshop, led by the Wet Ink Collective, and was secretly writing scenes about the difficult aspects of my life. Constructing a story about a struggling reluctant caregiver became a pain-relieving release for me. Then John got caught up in the idea of creating a piece of theatre while we were processing his diagnosis. It was the first time in our relationship that we collaborated on a script. Working on the music was as cathartic for him as the words in the play were for me. ” -Jill Daum, Playwright

REVIEWS

“beautiful, uncompromising theatre”Janis Lacouvée

Scenes from the production:

Interviews: